“There’s an impressive depth of tone to Colin Carr’s sound…and he is accommodating of Thomas Sauer, whose pianism is similarly a fine blend of discretion and demonstration. What’s more, the recording balances the musicians as equals and with immediacy. … The finale is a tour de force for both musicians, their artistry superb and fed by technical sureness – both do nimble with commendable effortlessness – and their personal rapport.”