The New York Times, June 11, 2003

“Mr. Sauer took over the stage for a reading of the ‘Diabelli’ Variations that was texturally transparent for all its overt finger power. It accomplished this work’s main task admirably, showing not only that Beethoven was able to build a magnificent edifice even on a foundation as dippy as Diabelli’s little waltz, but also that humor is as essential a component as pathos in this expansive exploration.”